When an arson fire destroys Amy and Mort's house, Mort reveals to the police that he has an enemy. Mort passively dismisses the threat. But that leads him back into the world of his estranged wife, Amy Maria Bellowho is living with her new lover Timothy Hutton.
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Obviously, Stephen king is aware that he's his own plagiarist. Mort hires private investigator Ken Karsch, who stakes out the cabin and speaks to Tom Greenleaf, a local resident who may have seen Shooter and Mort talking together. This movie hits a lot of the same notes as King's previous work. The movie follows Mort's struggles to prove conclusively to Shooter and to himself that he has not plagiarized the story. Mort then pushes Greenleaf's truck off the steep cliff into a water-filled quarry where it sinks. The following day, Mort, who once plagiarized another author's story, tells Shooter that his story was published two years before Shooter's, invalidating his plagiarism claim. And then we realize we aren't looking at a reflection but are in fact now in the real room. The local sheriff informs Mort that he knows what he did and as soon as they find the bodies, he'll go to prison.
The movie follows Mort's struggles to prove conclusively to Shooter and to himself that he has not plagiarized the story. Shooter arrives and says the two men had "interfered" with his business. We later learn that when influenced by Jack Daniels, Mort's second personality "Shooter" comes alive.
But after finding that his book On Writing had more useful and observant things to say about the craft than any book since Strunk and White's The Elements of Style, I have gotten over my own snobbery.
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Amy watches helplessly as Mort beheads Ted with the shovel. The local sheriff informs Mort that he knows what he did and as soon as they find the bodies, he'll go to prison. Red Rum is to murder as Shooter is to Shoot Her. But when he gets out of his car, the sheriff approaches him with a smirk asking him if he could ask a few questions. Afterwards, Mort changes profoundly - his writer's block is finally over and his passion for life returns. In Mort's writing loft is a previously hidden window overlooking the garden. Mort then pushes the car into the river, since he thinks the murders will be pinned on him. Upon reading Shooter's manuscript, Mort discovers it is virtually identical to his own story, "Secret Window", except for the ending. This scene includes the moment where Mort sees his back, instead of his front, reflected in the mirror above the mantelpiece - much like Magritte's painting La reproduction interdite. It is implied that Amy and Ted's bodies are buried under the corn growing there, and that the police will eventually find them. He chases Amy and stabs her in the ankle.
A lot of people were outraged that he was honored at the National Book Awards, as if a popular writer could not be taken seriously. Shooter says he wrote his story inand Rainey has his comeback: He wrote his inand thinks he has an old issue of Ellery Queen's Mystery Magazine to prove it.
Mort then leaves. Maybe this has something to do with billing arrangements, or maybe they're just competitive.
At the cabin, Shooter demands that Mort revise his story's ending to Shooter's version, where the protagonist kills his wife. Karsch tells Mort that he suspects Shooter has threatened Greenleaf after Greenleaf claimed he never saw Mort and Shooter talking together.
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